the essence of Tabou Combo," says Tabou Combo's co-founder and
ex-drummer Herman Nau. The infectious rhythm of Haiti's national dance
music, Konpa (con-pah), has propelled the country's preeminent dance
band around the world. The 12 members of the band have covered many
territories since leaving Haiti and relocating to New York City in
1971. By that time, Tabou had
already established itself as Haiti's number one group, and as the
"Ambassadors of Konpa." Tabou Combo now has worldwide fans
and followers from London to Paris, Holland, Switzerland, Japan, South
America, throughout the Caribbean and in North America.
It is easy to understand why Tabou Combo's relentless and high-energy
style of Compas dance beat knows no language barrier. Singing in English,
Spanish, French or their native Creole, Tabou serves a hot mix of
grooves and textures with roots from around the world. You will hear
a strong dose of the Dominican Republic's national dance music, meringue.
In addition, there is Haiti's dance-till-you-drop carnival music,
rara, the hypnotic drums of Haitian voodoo rituals. Add to that quadrilles
and contra-dances from Haiti's French colonizers and funk from the
American soul era to James Brown for good measure. The mixture of
all these influences makes for a serious bass line that brings new
meaning to the word bottom; layer upon layer of accents courtesy of
drums, percussion and congas; the constant intertwining of two guitars
with the feel of West African Soukous topped with bright piano riff
and the brassy sound of a 3-man horn section.
Tabou Combo got
started in 1968 in Petion-Ville, a town just outside Port-au-Prince,
by Albert Chancy and Herman Nau and some friends, all in their teens.
They began by naming themselves "Los Incognitos", because
they were unknown at that time. They changed to Tabou Combo in 1969,
in order to bear a name closer to the Haitian culture. That year,
the band won first prize in a televised talent contest, gaining a
national reputation in Haiti, and by 1970 it was one of the island's
leading bands. Then the Chancy's parents stepped in, and Albert, the
band's guitarist and original leader was sent to college in Montreal,
and gave up music. The band dissolved
and its members drifted to the United States. Early in 1971, however,
an unexpected meeting led to a Tabou reunion with rhythm guitarist
Jean-Claude Jean as the leader and the band has been together, with
a few changes, ever since.
repetition and breaks of Afro-American gospel music, TABOU COMBO entices
the listener to become listener and dancer. Almost four decades after
TABOU COMBO's establishment, the band has audiences dancing everywhere
from concert halls to the streets and in night clubs around the world.
Says Fanfan, the band's background vocalist and main songwriter, "We
want people to dance and forget their sorrows."
There is no doubt,
the music is made for dancing, but Tabou also features lyrics that
focus on social issues of the day. For example, the lyrics from the
title cut of the group's 1991 release ZAP ZAP deal with uplifting
the image of Haitian people in the wake of bad press connected to
the AIDS epidemic.
It was 1974 when
the band captured Europe's attention with its million selling hit
single NEW YORK CITY. Tabou steadily has been building its international
followers ever since. The 1989 release, AUX ANTIILLES (The Antilles),
topped European and Caribbean charts for six consecutive weeks. AUX
ANTTLLES also won Best Album for Haitian Dance Music at the 1991 1st
Annual Caribbean Music Awards at New York City's famed Apollo Theater.
Tabou's release, KITEM FE ZAFEM (Let Me Do My Things), was voted among
Beat Magazine's Best of 1988. In 1989, KITEM FE ZAFEM, along with
ZAP ZAP were
used by the film director Jonathan Demme in his movie MYSTERY DATE.
The song JUICY LUCY was chosen by French movie maker Maurice Pialat
for his movie POLICE (1985). In 2002, world known guitarist Carlos
Santana recorded the song MABOUYA (Foo Foo) on his album SHAMAN.>
After traveling around the world with Tabou, Fanfan says he has found that people
everywhere are all the same and they all love music. TABOU COMBO seduces
the people with rhythm that does not let go. Konpa's unrelenting dance
beat is contagious and there are plenty of witnesses. Many of the
thousands of TABOU COMBO fans around the world eagerly will testify...
that is, if they can stop dancing long enough to talk!